The Philip Townsend Archive collects the body of photographs taken by seminal 60s photographer Philip Townsend, documenting Sixties London in full swing and capturing some of the most iconic faces of the era. His unique collection of shots includes, rock stars, society darlings, models and the political movers and shakers of the day.

A selection of images from the black and white archive is available to view on this website. Prints are available to purchase from our open and limited edition collections and all images are available to be licensed for media use.

"A treasure trove of rock history" The London Times

"Philip Townsend, world class portrait photographer" GQ

By Rodger Eldridge

As the Sixties swung and Britain subverted the old order, photographer Philip Townsend was there to record all the prime people of the time, beautiful and ugly alike: the debs and their beaux, louche lords and club owners, press barons and business moguls, stars and socialites, artists and creatives, royals and ruffians, and above all the new aristocrats of pop and rock, spearheaded by the Beatles and the Rolling Stones. And he documented the peacock gear they wore, the sleek cars they drove, and the aeroplanes that flew them to fresh horizons.

Remarkably, Townsend's entire photographic career exactly spanned that most remarkable of decades, when London was the coolest of capital cities: he took his first serious pictures in 1960 then, in 1970, he put away his cameras for good and casually consigned his pictures to a cupboard. When he looked at them seriously a few years ago, he found a half-forgotten treasure trove, a time capsule that vividly resurrects those photogenic times. The rescued works are now sought by magazines and newspapers throughout the world, by galleries like the National Portrait Gallery, and by collectors. The reason is simple: Philip Townsend's pictures are the Sixties.

While other photographers took portraits, often closely cropped, Townsend instinctively widened his frame to include backgrounds, landscapes and the sheer feel of the period. A fine example is his portfolio of the Rolling Stones, including their first ever picture sessions, when they were broke and hungry, without a recording contract, a band not yet on the run. Townsend bought them barbecued chickens and set about fostering the semi-delinquent image which they still cultivate today.

It has been said that while the Beatles, whom Townsend also photographed in their first flush of fame, were bad boys turned good through the influence of their late manager Brian Epstein, the Stones were goodies who became stage baddies. Their first manager, Andrew Loog Oldham, who has remained a lifelong, off-on friend, instructed Townsend to make them look "cruel, tough and streetwise".

Through Townsend's percipient lens, we see the Stones slouching in an underpass, menacingly backlit, or tilted at a surreal angle against a wall, or inhabiting beer benches outside a pub in Earls Court. One shot sets them against a row of telephone boxes in Marble Arch. Significantly, those